Color Timing is the process of adjusting the color balance and density of a film print or digital video to achieve the desired look. In the era of photochemical film, color timing was performed by a skilled laboratory technician (called a "timer" or "colorist") who adjusted the exposure of the red, green, and blue channels of the film printer to control the color and density of each scene. In the digital era, color timing has been largely replaced by digital color grading, though the term is still used in some contexts to refer to the overall process of color correction and grading.
The DP and colorist review the color timing of the first reel: "The overall color timing is looking good, but I want to warm up the interior scenes slightly — they feel a little too cool and clinical. And the exterior scenes need to be a bit more saturated to give them that lush, summer feel. Let's go through scene by scene and make those adjustments."
Color grading and finishing is the final visual polish of the image — the stage at which the raw footage is transformed into the rich, cinematic image that the audience will ultimately see. A skilled ...
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